It’s okay to Karaoke (but why don’t you sing, instead?)

Today’s post focuses on the difference between memorising information and gaining knowledge. I don’t normally lead off with a descriptive sentence but I have to in this case because I’m going to talk about my previous life as a karaoke singer. I don’t want you to think I’ve accidentally posted on the wrong blog.

I quite enjoy singing and I have a reasonable karaoke voice – you’d never pay to hear me sing but you probably wouldn’t pay me to stop. When we used to sing in bars, when the machines first hit, you’d sing, people would listen, sometimes they’d clap and the assessment of the whole activity was based on how much you enjoyed it and, if you decided to compete, which of the dud t-shirts you won. For the record, my best placing was third place, a Yellow Cutty Sark t-shirt that made me look both jaundiced and leprous (a clever trick). I loved that t-shirt because, although third place was the best I ever achieved, but it was based on what the crowd felt and it was honestly earned. (I sang Prince’s Kiss in the style of Tom Jones, to complete this confession, so you may weigh the honesty for yourself.)

Of course, the fact that I can retrieve this fact, some 20 years down the track and well after the t-shirt was consigned to the rag pile, tells you a lot about the impression that this feedback had on me. However, the point of this anecdote is not that successful reinforcement is memorable (although that’s a good point) but that I wasn’t performing for points into a karaoke machine, I was using the technology to sing to subjective, analogue measuring devices – people, in other words. Now, the whole time I was singing, I had my own auditory feedback and (potentially) some crowd-based feedback but, being realistic, the only feedback I had was at the end if I won a t-shirt or if my friends either said ‘Yeah!’ or passed me a drink with a supportive expression. (Don’t judge me until you’ve attempted “Take On Me” by A-ha in a public space.)

Fast forward to today and you can have a karaoke machine in your home for the price of a PS2, PS3, X-Box or Wii. SingStar, Guitar Hero and Rock Band all provide you with the ability to play like a star and be adulated, and win awards, in the comfort of your own living room. Don’t like to rock out with pants on? Your lounge room – your rock and rules, baby! How, in this context, do we provide guidance that what you’re doing matches the song on screen? How do I award you a yellow Cutty Sark t-shirt?

In most cases, there is a ‘correct’ interpretation of the musical line – based on tone for singing and choice of input pad and timing for the other instruments in rock band. If you perform the right action (with varying degrees of tolerance) at the right time (again, with tolerance) you are recorded as having done the right thing. Based on this you get points, awards, more opportunities. There is nothing intrinsically wrong with this – this is a valid feedback mechanism. The problem arises when you don’t regard the score as assessing the activity, but the activity as a means for maximising the score.

I was slightly surprised the first time I saw Rock Band being played by a group and the singer, instead of singing, mumbled the tones into the microphone, at a volume I could barely hear, in order to exactly match what was going across his screen without the risk of missing the note or stumbling by getting a word wrong. Sure enough, excellent score. I’ve seen people ace SingStar while singing out of tune because they completely repeated every phrasing, every tonal movement and every pause, but stayed within the tolerance, despite it being nearly painful to the human ear. Why were they still singing? Look at the score! I’m doing it right! I bet I can make a higher score if I sing the same song another 10,000 times!

At the same time, I’ve seen professional singers get canned by SingStar and given terrible scores, despite putting together a beautiful performance of the song. What’s going on?

Anyone who’s played any of these games probably knows why this is: SingStar (and RockBand to a great extent) reward memorisation and recall, not interpretation. It’s the degree to which you can recite the song that matters, not your knowledge of how the song is constructed and how it can be rearranged, while still being that song – or better.

Musically speaking, it takes a reasonable amount of experience and knowledge to be able to start interpreting songs in a way that sounds good. Anyone can hit vibrato and wave around the song like a 90s boy band on a roller-coaster – it takes talent to harmonise, built, manipulate cadence and involve the audience in something that makes them breathless. It takes even more talent to know that you don’t do that all the time but in the right place and at the right time. SingStar has no easy way to assess anything outside of the norm so it will reward you if you hit note X at time Y within tolerance Delta. If you decide to mess with the cadence or add some colour, which are both demonstrations of a sound knowledge of the underlying work and the techniques that are valid for manipulating it, you won’t do well. This makes sense from an electronic game designer’s perspective – you can’t encode all of musical theory into the game but you can easily check for conformity.

(To its credit, Rock Band does allow some room for free-styling on certain instruments and at certain times. However, I think it’s probably good that Keith Moon is dead or he would have personally picked up every kit and eaten it after his first encounter with that particular game.)

It should come as no surprise that I believe that we often fall into the trap of requiring memorisation and recitation, effectively in lieu of demonstration of knowledge. Recited answers are easy to mark, manually and automatically. Knowledge requires the marker to be knowledgeable – subtleties abound and there are fewer templates. Electronic systems often lean in this direction for exactly the same reason as SingStar. A simple script to check the output of something is far easier to write than a detailed analyser with all human knowledge in this area.

Knowledge has to be built upon a strong foundation of information – there have to be core facts to provide a basis for your learning (such as the multiplication tables or the names of human anatomy, as two obvious examples). But at the higher level, at the 2nd and 3rd year level of University, we shouldn’t be rewarding people purely for mumbling our own words back to us in the microphone. We’re after knowledge and the demonstration of knowledge and that means more than training parrots.

A bit of karaoke never hurt anyone, but we in higher ed should be training our students to interpret to the fullest, to learn everything and to be able to show us what they know in ways that surprise, delight and, yes, challenge us.

They should be singing.


The Impact of Snappy Titles, or, “You Must Read This Or Die”

I’ve been experimenting with making my work easier to engage with in many ways. For students, this involves careful design and construction, structured development and all those good things. For you, my readers, I’ve been working with content, coming up with snappy titles to draw you in and trying to bring in graphics. Ultimately, I want my voice to be part of your thoughts on this area so I’m trying to make the blog itself attractive and engaging.

Apparently, the biggest impact on my readership appears to be the titles. Yesterday’s post had 22 readers within 6 hours of posting. It also had a really snappy title.

One of my recent posts. “This Is Five Minutes Work”, is, to me, one of the best posts I’ve put in – it’s a live writing exercise designed to show what five minutes of uninterrupted activity can look like. It’s designed to frame the old chestnut of ‘how much time do we allow in class’? And it attracted the least viewers of any of my posts, barring the time when I didn’t use categories or Facebook linking.

Five.

Five people read “Five Minutes”, either on Facebook or in the Edu stream. Somehow, for that post, less than 1/8 of my usual readership decided to read this post, across all of the countries and places that they normally read.

Given that the tags and categories are the same, I can only draw one conclusion – there is something about the title or initial set-up that makes people think “Meh.” Now this is fascinating but, at the same time, I found the challenge of producing “This Is Five Minutes Work” to be quite exacting and it is not something I would have done, if not to illustrate a point.

Regrettably, this point has not been made because almost no-one has read it.

I imagine that this post will have even fewer viewers. A number of people will refuse to read this BECAUSE of the title – they don’t want to be manipulated. Maybe I’m wrong – maybe the Oyster post will have enough follow-on ‘titleness’ to keep people coming back.

It’s interesting, isn’t it? I have some data but I’m not really sure what it means – the constant dilemma of the scientist.

I’m not sure what to do with this information but a good scientist continues to measure, even after they get the result that they want, to see what the result actually is. I thought that my days of sub-10 readers was behind me but, apparently, I still have to watch my step! 🙂

This is all part of being honest about the investment of effort, something that we should share with our students. The knowledge that one approach may not be working, and that it may be time to try others, is not defeatism but pragmatism. You’re not giving up, you’re trying another angle. One of the big benefits of this blogging process is that I’m, still, always learning something new from it, even on a low reach day.


A Quick 5 Tips: Surviving Intensive Teaching

My colleagues in K-12 are probably rolling about laughing at the thought that teaching 9-5 is considered ‘intensive’, but in my part of higher ed, teaching 16 hours solidly over a weekend is called intensive teaching. It’s very different from what I normally do so here are my five survival tips. The basic problem that I face is that I have a full day and no spare time – and no easy way to make up time if I lose time.

  1. Know the work
    Yes, bit of a no-brainer but in intensive mode you have no ‘sneak off and look it up’ time. You have to go into each day’s session with either full knowledge of the 7-8 hours ahead or a well-constructed set of reminders, cheat sheets and mnemonics. I use extensive presenter notes to augment my presentations, as well as some easy to read notes that jog my memory. And I’ve taught this course over 6 times now.
  2. Check your presentation gear
    If you are using laptop, projector and slides, make sure that all of them work. Carry your charger, have a spare on USB or the network, know where the bulbs are. Using whiteboard? Have lots of pens, multiple erasers and check the whiteboard quality. Blackboard? Chalk, chalk and more chalk? Flip charts? Spare paper? Spare pens?
    Do you have it? Does it work?
    I run long distances and there’s a saying that you never change your gear for race day. It doesn’t matter if your current shorts are a health and safety violation in four states, don’t put on a brand new untried pair for race day. Chafing that starts at 20 kilometres is a road to agony by 42.
    Your presentation gear and techniques should, for the most part, be your faithful set – your tried and true.
  3. Check your environment 
    In Singapore, I check the rooms for good air conditioning, comfortable chairs and enough workspace. (I teach at a good facility so this is always true) Before teaching, I make sure that the air has been flowing for 30 minutes to cool the room BEFORE the lesson starts. I move chairs out from places where I don’t want students sitting. I align tables to form the collab environment that I want. I move my flip charts or whiteboards around. I set light levels.
    These students are going to be sitting in a room, trying to stay awake and listening to me. I have to make their space work the best that it can for both us. I put up a plan so that students know what they’re doing when and where they’re supposed to be. That’s as much a part of my teaching space as the chairs or tables.
  4. Allow enough time
    I usually allow 30-60 minutes before and after class to give me enough time to set up and get things running, grab a coffee, and minimise my rush. I should be cool, calm, collected and ready to go by the time the first student appears. If a student, after 7 hours, has finally got the courage up to ask me some questions then I have to be available to give them some time outside of the intensive phase and talk to them.
    That’s why I don’t jump on 8pm flight on a Sunday, because I’d need to leave bang on the dot of 5, cutting off any discussion and saying to the students “Well, that was nice, but I have important things to do now.” My students are working as hard, if not harder, than I am to listen, learn, stay alert, program, contribute, collaborate… allowing a little bit of no-rush time either side makes me more approachable and defuses the innate grind nature of the intensive.
  5. Be interesting
    Yeah, sorry, I’m ending with a hard one. I try to involve my class as much as possible in the learning activities. Sometimes this means that I have to be interesting – general information on CS, pertinent stories, anecdotes to engage interest. I try to cheat and bit and get the class to talk to each other, because they have far more in common. Being interesting isn’t about being a showman or a jester, but it does mean being willing to step away from didactic approaches and letting the reins of control slip a little, whether you’re handing over from strict learning to some background colour, or handing over to the class to work together for a while.
    It doesn’t really matter what you do, in many ways, as long as different things happen occasionally and the students know what they’re doing and when.

As I said, my K-12 colleagues do this every day so I’d love to hear from other people how you face these challenges and what you’d suggest to make this task more manageable – or even enjoyable!


How Far Do I Allow You To Go, When You’re Heading the Wrong Way?

Part of the assignment work that I’m overseeing on this teaching weekend is a set of programming assignments designed to let students show their understanding of the work by producing a small version of a big system. The first of these tasks, Assignment 0, is a dry run at using the big system and looks deceptively simple.

Assignment 0 is sufficiently complex that the students should write a design, should think about some key elements and should write an array of test code to see what happens. Assignment 0 is run with a 2-hour lab session, where I can watch the students work, talk to them and give them some guidance. More importantly, every 20 minutes or so I address the class and ask about a particular design feature – how will you deal with this, have you thought about it – and watch a lot of ‘oh’ faces appear as people start to realise that design is important, even for these simple assignments.

My students seem to learn a lot when they have an ‘aha’ moment. Most of these ‘aha’ moments occur when they have punched through some layers of ignorance to reach some real knowledge, and often when they have realised that they were wrong. It is worth me letting them wander slightly into the valley of the shadow of less-than-deft because of the benefits they get from seeing the mistake, avoiding or fixing it and moving on.

The question is ‘how far do I let them go’? This is a tricky call, especially over a large class. Thats why I like group discussion, peer consultation and guided pracs. If use a peer instead of me, then the ‘authority of wrongness’ is limited and I can step in and correct easily. If I use a group, then I tend to get good answers coming out from broad band Delphi effects – plus I can sit in on a smaller scale set of groups pretty easily.

In this ‘managed’ practical sessions, I can survey the class by staring at screens, expressions and electronic submissions. I can quickly see if people are heading down the wrong path and step in, individually or at the group level, when the ‘aha’ moment is ripe.

What I believe I should rarely do is to deliberately misinform the class, even if I correct myself shortly afterwards. There’s a big difference between accidentally getting something wrong and setting out to deceive the class. There’s a big difference between a ‘trick question’ and half an hour of rubbish.

Some of you may disagree and I welcome examples or discussions of experiences where you found that deceiving the class or letting them go a long way wrong was ultimately of positive benefit. Let me hear it!


Why am I here?

I’m currently in Singapore, teaching an intensive course as 3 hours Friday night, 6 hours Saturday and 7 hours Sunday. Obviously a course like this poses challenges for both staff and students, given the intensive nature, so I try to make it very interactive, full of peer activity and very little ‘just listening to Nick speak’. (Sometimes I succeed better than others.)

On Friday night, I wrote two lines up on the board:

“Why are you here?”

“Why am I here?”

My first discussion with the class, at 7pm on a Friday night after they’d been at work all day, was on these questions. As always, initial participation was guarded. Most students are in classes to meet requirements, pass exams and get pieces of paper – asking questions about this can cause some soul searching. So I switched to a discussion about why I was there.

Pause. Then a cautious suggestion.

“Money?” (Class laughter)

This gave me a more relaxed class to talk to and the chance to talk about all the reasons I could be there. After a minute or two’s (guided) discussion, I heard:

“You’re here to share your knowledge?”

Which then guided us to the next stage of the intro discussion – the important bit. The fact that if they know the work then passing the exam will be relatively easy. The fact that I care about what they know and that, when they leave, they should be able to practise their art with confidence.

The whole activity took about 5 minutes and set the tone for highly engaged discussion in and around 28 people, late on a Friday night, that happened to include a lot of information on Distributed Systems. It’s an ice breaker, a warm-up and it also tells the students what I need them to know: that I need them to know.


False praise but I love your journal (random number)

You’ll excuse me writing a post that is reaction to my comment spam but a recent spate of spam reminded me of something important.

False or insincere praise is worse than no praise at all.

I use WordPress’s ARMY OF AUTOMATION to detect and corral my spam comments into an area where I can inspect them and delete them, without all of you having to read about false Google page rank updates, or notes saying things like “Wow, I loved this, keep it up 782346”. Things designed to take you to trap blogs or URLs to give some person somewhere some money. But I still manually review the spam to ensure that some poor ‘fan’ hasn’t written something that tipped the false positive scale. What this all reminded me of was my disappointment when I realised that something that I thought was personalised praise was actually automated nonsense, designed to suck me in. It’s deflating.

Some years ago, when I was just starting out, I received an e-mail from the chair of a relatively highly ranked conference inviting me to be on the program committee. Given that I’d published a bit in the area, I thought it was personal recognition and was really chuffed until my wife, very, VERY delicately, pointed out that it had gone to a giant mailing list called DBWORLD. (Yes, I should have noticed, but in those days I read the content before author and subject. These days, I do a lot more pre-filtering.) Every single person on that list had received that e-mail. This was a not a personal e-mail in recognition of any achievement on my part, it was a seat-filling exercise that had hit me as part of a wave.

There is a big difference between addressing small groups of people within the large, while openly admitting that you’re speaking in the large, and sending something that appears to be personal, but is secretly in the large. If you’re sending out messages of congratulations to the top performers in your class, why not spend the extra effort to send each person a message? They probably are going to talk about it and may notice how similar your message is – some may not care, of course, but some might. People who aren’t showing up? You can probably use blind carbon copy to send out the initial reminder, because it’s not SUCH a personalised message, and then personalise as they respond, or you can start personal, if you can manage it.

If you have a group of top students, but each one has nailed down a specific aspect of the course, noting the specific achievement as part of genuine and personal praise is, I suspect, going to have a far greater effect than a blanket e-mail saying “You’ve all done well”. “You’ve all done well” means I sorted the marks, selected the top 5 and pasted their e-mail into a mail merger. Specific praise, to reinforce that you have read it, you do know it, and you know at least some of that student’s mind, is going to reinforce the reality that you did mark it, what was submitted was noted, the work that went into it mattered.

This is what we’re saying when we produce genuine praise: “what you did mattered and it was good”

That’s why all feedback should be genuine and grounded in the work. Even if you’re giving general feedback to a class, I think it’s really helpful to find as much ‘resonant truth’ as possible – the feedback that everyone nods along to and goes ‘yes’. I could talk about authenticity and the importance of being genuine for hours but, once again, that’s another post.

Don’t get me wrong. Genuine praise and follow-up on the mass scale is better than none at all. If you have the time and resources, then we can probably all agree that personalised is better than general.

However, false praise, or insincere or misdirected praise, is counter-productive and really doesn’t have much place in our practices. It’s false and, ultimately, we’re about truth.

 


You Can’t Believe You Did So Badly?

A common e-mail comment I’ve had from students who didn’t get the mark that they were expecting is often “I can’t believe I did so badly” or words to that effect. “I knew I did well in the exam.” “I answered all of the questions correctly.” All of these are the same and, expect for the rare occasion when we have made an administrative error in assembling the mark, it usually indicates one thing.

The student doesn’t have enough knowledge to be able to assess their level of knowledge.

It would be glib to talk about Dunning-Kruger here, so I suspect it would be even more glib to mention it in passing and not discuss it! The Dunning-Kruger effect is a bias in your thinking that leads people with lower skill level to have an artificially high assessment of their own skills. The converse is that the highly skilled often underrate their ability.

When these students look at their exam scripts or assessments again, as I encourage them to do, the illusory has to confront reality. They see where I drew a red line across a page to indicate that they didn’t answer, say, question 2 at all, which cost them up to 30 marks. They see the places where I asked them to explain an unlabelled diagram, or to give me the detail underneath their broad brush statements. Sometimes, it’s seeing where I’ve written ‘sorry, no’  beside where they’ve answered both true and false to the same question. Without explanation. Then again, some students look at what I’ve said and try to find any possible wriggle room to get extra marks. Where it’s trying it on, it won’t get them anywhere, but I understand it. Where it’s a genuine lack of understanding as to why what they’ve provided is not a complete answer? That’s sadder, because they’re now functioning at a level where, until they advance, they will fail and not understand why they’re failing.

Worse, they may not realise even that they need help, or what kind it will take, to improve their skills. They’re fine – it’s the rest of the world, including me, that’s wrong.

You only have to speak to some students who have been around a little too long, or who left without their degrees, to realise that among those who have genuine problems, but are aware of them and striving to fix them, there are those who have equally genuine problems but assume that it’s nothing they can fix because it’s not their fault.

Does anyone out there have suggestions as to how we can help or approach these students, dealing with the delicate matter of their feelings as well as the cognitive bias? Please share them!


Failures of Politeness: Write Down Your Rules!

Being a University-level educator has some major advantages. One of the most significant is the degree to which the educators before me, in the school system, have shouldered the load of disruptive students, violent students – the students who didn’t manage to make it through the educational system and get into Uni. My heartfelt thanks, as always, for the effort and patience that it must take!

This gives me, 99% of the time, a very polite classroom. There’s always the impersonal indifference of late teen-age years (I remember how many other really important things I had to do, as well) but that’s usually fairly easily managed. It all runs like a large-ish dinner party with strangers most of the time. People pass the mustard when asked, generally share the food and no-one does anything diabolical. That’s why it’s surprising when you run across someone who breaks through that fragile and informal social compact. Let’s face it, you snatch the bread at home and someone’s going to have words with you. Steal the host’s fork and he or she will look at you with surprise, grab another one and, depending on what you do next, possibly etch your name into the ‘do not invite again’ column. Now that kind of ‘transgression’ is an obvious one – someone’s being rude, for whatever reason.

But let’s talk about finger bowls. A finger bowl is a bowl full of warm water with a squeeze of lemon in it. It’s used to wash your fingers when eating certain messy courses that must be handled manually. If that shows up on the table and you don’t know what it is, chances are you’re going to think it’s weak soup. There’s an etiquette in using these but any decent host is going to work out (a) if their guests know what these things are and clearly illustrate their use or (b) serve something else. Putting people in a situation where they accidentally break rules in ignorance  doesn’t do anything other than upset people.

Community discussion, such as public forums or debates, can be confusing for some students, especially when they don’t understand the implicit social compact in play. When unwritten rules do get broken, people’s feelings get hurt on both sides and it’s hard to know what to do. If someone stood up and shouted in one of my lectures, I’d eventually call security most likely but the disruption has happened and the damage is done. If you have to forcibly march someone out of a computer lab because they’re causing trouble, the lesson is shot for the next 10-15 minutes, no matter how much everyone present agrees with the action. We deal with most of the ‘extreme’ actions with a well-publicised list of acceptable behaviours, but what about the implicit ones? The subtle ones?

This is why I support writing all of the rules down. When you set up an electronic forum, I think it’s really helpful to have a list of (mostly) DOs and (a few) DON’Ts. (My pet theory is that people remember verbs, not modifiers. Hence PLEASE WALK is better than DON’T RUN because it puts the right action in your head. No doubt someone has proven or disprove this. Comments welcome!) If someone hits one of the rules, you can moderate in a transparent and fair fashion. You don’t set up trip lines for people to stumble into because then people will wonder where they can and can’t step – restricting motion when you want them to be embracing opportunity! Do you have in-class discussions? A simple set of guidelines can be put on a forum, or an A4 sheet, or as part of the moderator’s kit and everyone can be briefed.

Unwritten rules, like the arbitrary finer detail of politeness, can be confusing, divisive and, in an educational setting, are a hindrance rather than a help. You don’t know all of the details of your students’ background and, in an ideal world, everyone would be able to come here. So rather than depending on everyone in the world knowing the unwritten rules, let’s write it all down and avoid these unnecessary failures of politeness.


Achievement Unlocked: First Month

When I decided to start a new blog, I committed to posting something every day. As I got busier, that got harder. Some of the things I noted in this blog were because WordPress’s encouragement mechanisms didn’t gel with my idea of what I thought encouragement should look like. I realised that I had to give a year to this to see how it panned out and, when I realised this, it was a very intimidating thought. How can I make it a whole year? 366 comments as a minimum? Süskind’s Perfume is only 100,000 characters long and I could accidentally write that in a year on this blog!

And, yet, here we are on the 1st of February and I’ve posted at least one post a day for the whole of January.

Now it seems manageable. Of course, this gives me insight as to how I can help my students to see how big projects can be managed, how intensive workload can be shouldered – how things can be achieved.

I’m always learning. I think that’s why I strive to get better as a teacher.

Thank you for reading, following, liking and commenting!

Has it been easy? No. Worth it? Yes!


Those Dang Kids and Their Phones, Computers and iPads.

Some my students use computers in my lectures and, while I’m sure that a number of them are writing notes or looking at the notes, I’m sure that many are ‘multi-tasking’ with social media or the like. They’re not playing games, because I know what they looks and sounds like (wwwwwwwddaaaaa*click**click*wwww *DAMN*) but these mobile platforms are more powerful and more pervasive so this will happen a lot. Now, despite the presence of computers, I can usually get the students with gadgets to participate, answer questions and do all of those good things. If I have a question, I don’t have to repeat the previous 5 minutes of speaking to get an answer. They’re mostly listening. But, whenever the gadgets are out, there’s always a worry that those dang kids are surfing the internet rather than listening to you.

Now, I’m sure that some of you have very strong opinions about this. Why do students do this given they’ve bothered to show up?

I have, in recent experience, attended meetings which had an obligatory nature to them and, among my colleagues, seen a lot of iPads, notebooks, laptops and phones in use during these meetings. Now you’d expect that someone would be most active on this mobile reference and presentation platform when it was their turn to talk or be talked to, but generally it seemed to be when the person in question wasn’t required to do anything. In fact, these gadgets get the most workout when the person holding them hasn’t done anything in the meeting nor is expected to. Armed with a gadget, these people (who may have been colleagues) had tuned out because the major reason that they were in the meeting was because someone had told them that they had to be. If they didn’t have gadgets they’d probably be sleeping (quietly), doodling or talking to the person next to them.

Every time someone complains about students who focus on the gadgets rather than the lecture, I think about those meetings where I’ve checked my mail during a dull patch in a meeting. Or done some other (useful and real) work that had nothing to do with the event that I was in.

I know, I’m a terrible human being with a short atten… what? But the thing is, give me a reason that I should be somewhere and a reason to participate, interact and listen? I’ll be there, armed with my knowledge and my supporting fleet of tech. THEN, the gadgets are only used as they should be. I don’t doodle. I stay focused. No doubt everyone reading this has a better attention span than I do and has never, ever been bored in a compulsory meeting on new OH&S standards for refrigerator cleanliness or has tuned out while trying to listen to someone reading tiny-font info-dense slides to you, regarding new research standards.

Hmmm.

We want our students to be like us. In many ways they already are. Yes, some students are very hard to engage but, for most of them, if they have a reason to be there and a reason to listen and take part, chances are they will.